Now that Lightroom 3 has finally arrived, everyone gets to take advantage of the new Lens Corrections panel. Adobe has many common lenses from various manufacturers profiled, and Lightroom can automatically correct any abnormalities and perspective issues present in the lens. Another benefit is that Adobe Labs has pre-released the Adobe Lens Profile Creator, which [...]
continue reading ...}29. June 2010
When you launch Lightroom 3 and head over to the Develop Module, you may notice some minor differences from Lightroom 2. The point of interest today is located in the Tone Curve palette. At first glance you see the old, friendly Parametric Tone Curve tool Lightroom has had since day one. But look closer. At the bottom, [...]
continue reading ...}22. June 2010
In Lightroom, sharpening is a rather simple endeavor. While Lightroom’s built-in sharpening tool is excellent, it is a bit lacking when it comes to fine control of sharpening. Photoshop is a much better tool for doing fine sharpening, as it offers a myriad of sharpening option and the ability to use layers and masks to [...]
continue reading ...}8. June 2010
Everyone knows about Lightoom’s presets (if not you should). From Development Presets to Export Presets – presets make you life easier. However, in the print module there are not any presets, per se. Instead you have the ability to save templates, maintaining a layout of images for print jobs. Personally I do not use Lightroom [...]
continue reading ...}2. June 2010
This workflow from our May 12th Email Digest was so popular I thought I’d pull it over to the blog as well. I’m still having a blast shooting sequences, and would love to hear how you folks are shooting them out in the field. I’m looking forward to your comments! Something new We ran a [...]
continue reading ...}18. May 2010
Color casting is, quite possibly, one of the most frustrating issues you can have with an image. Regardless of how the image was captured, digitally or on film, you can easily run into issues with your lighting, leading to some major color issues. Even when utilizing RAW, you will occasionally run into color casts that [...]
continue reading ...}6. May 2010
Now that we have learned the basics of the HSL in Part One and the general method of working with the HSL in Part Two, it is time to expand our horizons a bit. So far we have focused on using HSL to improve an image by attempting to get realistic colors that have been [...]
continue reading ...}29. April 2010
In the first part of Mastering HSL in Lightroom, we covered exactly what the HSL is and how it is used. If you spent some time experimenting with the Color Checker DNG we provided you should have some sense of how Hue, Saturation and Luminance interact with the different colors. If not, jump back to [...]
continue reading ...}26. April 2010
Color – it’s the first aspect of a photograph most viewers ever notice. Colors bring an image to life, and mastering the color rendition of your image is of the utmost importance. Usually the color right from a RAW file is rather unimpressive, and needs some adjustment to make the image pop. To help manage [...]
continue reading ...}10. March 2010
A while back we discussed the relationship between the Histogram and the Tone Curve but considering some e-mails and interactions we have had with our readers it seems we should spend a bit of time looking a bit deeper into the Histogram itself. We will take a quick look at what the Histogram tells us, [...]
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6. July 2010
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